ShortEnd Magazine Issue 1.10 |
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Features "I feel we got a bit excited by the whole process of watching how music changes images, and therefore the power music has within film. And that’s something I think we all knew, but until you actually do it you, you don’t really know how it actually works." Film composer Dickon Hinchliffe speaks with SM contributing writer Barry Jenkins about experimentation, subverting conventions & his scores for films by Claire Denis & Ira Sachs. Read more...
With a prolific body of work completed in composition, Joe Kraemer shares his process for The Way of the Gun and Monday among others. Read more...
David Wingo doesn't need to write music, he says. But, with a list of scores from George Washington, The Guatemalan Handshake & Great World of Sound to his credit, we're quite glad that he writes music anyway. Read more...
Opinions & Ideas A bunch of filmmakers speak with candor, passion, exhaustion & humor. Check our archives for backlogs. Read more...
Reviews Check out SM's feelings on the latest in independent film. Read more... |
Features (cont.)
When he's not producing kick ass records, Ben Lovett offers his time to help his friends--composing scores for their films that is. With features Last Goodbye and The Signal on his list, he's most interested in the process, the journey, if you will, of scoring. Read more...
Check out five music videos that are sure to impress. Read more... Conversations
Four Eyed Monsters' directors Arin Crumley & Susan Buice share last thoughts on their autobiographical indie hit before readying for a sophomore feature. Read more...
Blog News in short and sweet daily doses. Read more...
Pictures & Frames SM sister site P&F takes a glimpse at the arts scene as a whole, offering reviews of music, literature and film with a youthful and personal viewpoint. Visit site... |
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