ShortEnd Magazine

All articles by Noralil Ryan Fores


• Hannah Takes the Stairs: Two Months Later
• All These Threads of Being
• Constantly Forgetting
• Jumping Off Bridges
• Getting to Know Drew Sawyer
• Collection & Community, a Look at the World of PEZheads
• The Collective Beauty of Simple Moments
• A Mood Study, Or How I Learned About Varicella-Zoster Virus & Love
• Monkey Warfare
• The Routes of Wild Flowers, a Path of Obstacles & Professionalism
• Love As All But Enumeration
• A Few Creative Ponderings of Phil Davis
• Inside One Day in the Life of Two Castaways
• Scripting The Routes of Wild Flowers
• Moviekiss
• Letting Go
• All You've Ever Wanted In the Luxury of a Blood Car
• All the Small Steps
• In Recap: Austin Underground Film Fest
• Notes From the Miami Underground Film Festival
• Rapid Movement in Frame: One Gear in the Cultural Renaissance of the Urban Bike Culture
• The Safety of Others
• The State of Independent Film
• Alice Neel
• The Routes of Wild Flowers
• Montclair
• It's All Looking Up
• Music in Strange Undercurrents
• A Note From Downtime
• The Journeyer & The Friend
• Arts As a Joy Ride
• Hohokam
• Dispatches for OurStage
• PEZheads-The Movie
• Rowdy Fun Messenger Shorts
• Great World of Sound
• Blood Car
• Hannah Takes the Stairs: Initial Thoughts
• Dante’s Inferno
• The Way We Tell Stories
• Ayamye
• Angles Can’t Help But Laugh
• Disown, Delete
• Kamp Katrina
• All the Days Before Tomorrow
• Monday
• Counting Water
• Murder Party
• Everything Will Be OK
• Protagonist
• The Signal
• I'm Through With White Girls, or The Inevitable Undoing of Jay Brooks
• The Paper
• All Day Long
• Just a Bit of Calm & Intimacy
• Four Eyed Monsters
• Producer's Notes
• Comfort Behind Camera
• A Few Ideas About Comedy & Discipline
• Pinger on Topic: Fiction Is Fun
• Hypothetical Happenings
• Both Things Known & Unknown
• Cute Gone Bad: Moments with the Vaccese Twins
• Unexpectedly Producing PEZheads-the Movie
• Everything You Need to Know About Hannah
• The Lovely Idealism Of Leah Meyerhoff
• Why We Love Easily Distracted, Confused Man Boys
• Hanging With HollyShorts
• The Coming-of-Andrew Edmark
• Playing With Funk
• Very Last Notes: Hannah Takes the Stairs
• Bitter Much, New York Times?
• Karina, Karina & All Those Ethical Dilemmas
• Inside the Emotional World of Patrick Smith
• Sometimes The Things Left Unsaid
• Dispatches from the Atlanta Underground Film Festival
• Dirty Habit
• Viva
• Moonlight & Magic
• White Blue Air
• Last Request
• Everything I Know About Drugs I Learned From Hollywood
• Recognize Myself
• Recapping Hohokam
• Last American Stronghold of Indie Cinema Taking a Hit
• On Video Marketing Campaigns
• Much-Needed Diversity Blog Uproar
• What Is Cooler Than...
• Lions' Den
• Little Boy
• Leave
• The Great Good Fortune and Instinct of Michael Tully
• An Undefinable Sweet Spot
• From Ronald Bronstein's Point-of-View
• On Relentless Shots & Beautiful Women
• A Weekend at the Dragon*Con Independent Film Festival
• Escalator Minutes
• Interview with Filmmaker Chris Richards-Scully
• Interview with Filmmaker David No
• Interview with Filmmaker ER Nelson
• Interview with Matthew Foster, Director of the Dragon*Con Independent Film Festival & Track
• Dispatches from the Rome International Film Festival
• Great World of Sound in New York
• Pendleton Ward Is Fun & Silly!
• Intertwining Politics & Humor
• Jumbled Notes about Great World of Sound
• Landscapes of About A Son
• Beginnings of the Atlanta International Documentary Festival, or DocuFest
• Hollywood Style Outside the System
• How to Find a Cinematic Voice
• Random Asides of the Cinematic Persuasion
• A Balancing Act
• Lost & Found in Mexico
• Other People's Children
• Silent Moments
• Subconscious Wanderings In Themes of Love & Loss
• Writing Back-and-Forth With M.A. Littler
• "This" Is a Music Video
• Out on Film Preview Set
• Three Years Documenting
• The Year of Paper
• Itty Bitty Titty Committee
• Spider Lilies
• The Houseboy
• About Too Many Interesting Concepts to Classify
• Inside IndiePix.net
• Clever Crafting of an Action Indie
• One Misstep, Else Understanding with Kentucker Audley
• The Art of Inspired Practice
• Editor's Note: To the Year Passed, New Year Ahead
• Necessary Belief
• Orphans Sequence Breakdowns with Ry Russo-Young
• Savannah in Photos & Short Stories
• In Frame: Realism & Resourcefulness, Shooting Orphans
• Spaces of Anonymity & Celebrity
• Drafting Apparition
• Early to Bed, Early to Rise...She Says
• Trailer: The Kite Runner
• The Sad Little Happiness: Keegan DeWitt on Composing Quiet City
• Collaborations for Quiet City, Recounted By Aaron Katz
• Screenwriting Crush Alert II: Diablo Cody
• Screenwriting Crush Alert: Diablo Cody
• A Not So Secret Love Affair With DERRICK Comedy
• Editor's Note: Playing Catch Up, Savannah & Cucalorus
• A Sort of Passing Dream: Reflections on Todd Haynes' I'm Not There
• Three Part Discussion on The Pipe
• Oh, Jack Pendarvis!
• Moments in Stop Motion
• Swanbergian Apologist
• Editing 27,000 Days
• The Experimental, Non-Experimental; The Intellectual, Instinctual
• Random Asides of the Cinematic Persuasion II
• Persepolis
• Grace Is Gone
• Honeydripper
• Purple Violets
• The Kite Runner
• Adapting The Kite Runner
• Savannah Film Festival Dispatch Part Two
• A Dark Subtlety
• The Bet
• The Idiosyncratic and Fantastical Adam Bertocci
• Day Zero
• A Wonderful, Necessary Thing
• Si Tú No Estás (If You're Gone)
• The Band's Visit
• The Wackness
• Park City Blues
• In Bruges
• The Linguists
• Lunch with Miss Longworth
• Warm House, Park City
• There Will Be Blood
• Music and Mood for Si Tú No Estás (If You're Gone)
• Derek
• A Complete History of My Sexual Failures
• Towelhead
• A Sketch of a Woman on the Bus
• Many People Met & Nonfiction Nominees Announced
• Baghead
• Man On Wire
• Absurdistan
• Durakovo: Village of Fools
• Sugar
• Choke
• Ballast
• NERAKHOON (The Betrayal)
• Fields of Fuel
• Sundance Winners Announced, William H. Macy Presiding
• DVD Release: City Unplugged
• DVD Release: Romeo & Juliet Get Married
• Finding Goliath
• Anvil! The Story of Anvil
• CSNY Déjà Vu
• Be Kind Rewind
• Transsiberian
• The Broken
• Innovations in Gaming: Talking with Designer Eddo Stern
• New Ways Documentary: my olympic summer
• Editing John Lennon: Josh Raskin on Making I Met the Walrus
• On the Making of Breadmakers
• Pictures At A Revolution: Five Movies and the Birth of the New Hollywood
• On the 80th Academy Awards Ceremony
• The Imaginative Worlds of the Leiser Bros.
• Repeated Phrase, "Nuts & Bolts": Making Medicine for Melancholy
• On the Bittersweet Inheritance of the Me Generation
• Diagramming the Work of Frank V. Ross: On Present Company
• Sinister Sadness: Making Cough Drop
• IFF of Boston Lineup Announced
• Editor's Note: A Year of the ShortEnd Magazine
• Farm Girl in New York
• Kings of the Evening
• 'Bama Girl
• FightFuckPray
• Coyote
• Liberty Kid
• The Cake Eaters
• The Axe in the Attic
• Sarasota Film Festival 2008: Part One
• JUMP! In Conversation with Helen Hood Scheer
• Sarasota Film Festival 2008: Part Two
• Sarasota Film Festival 2008: Part Three
• A Difference of Opinions: Speaking with Andrew P. Jones on Kings of the Evening
• Thoughts on the Atlanta Film Festival: Talking With Gabe Wardell
• Sarasota Film Festival: Part Four
• Sarasota Film Festival: Endings
• On Obsession & Grieving: Talking with Gil Kofman about The Memory Thief
• The Visitor
• Making The Project: Talking with Director Ryan Piotrowicz
• Manifestations of the Little Minx
• Manifestations of the Little Minx: Part Two
• Natural Causes & Other Experiments of the Heart
• A Few Hard Things About Writing, More Reasons To Continue
• Our History in Bytes: Writing Zeroes & Ones
• Adventures in the Quiet, Offbeat of Existence
• Laughing Out Loud: Writing a Commercial Screwball Comedy
• Talking Pictures at a Revolution with Mark Harris
• Chatting Yeast with Mary Bronstein
• Weekend Visitors
• The Funny, Smart, Poignant Universe of Lena Dunham
• Images of Happy Events, Sad Experiences: Making The New Year Parade
• Images of Happy Events, Sad Experiences: Making The New Year Parade, Part Two
• The Funny, Smart, Poignant Universe of Lena Dunham: Part Two