Opinions & Ideas

Reflections on a Year: A Letter from the Associate Editor

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Written by Kim Storeygard   
Sunday, 23 March 2008

Associate Editor Kim Storeygard speaks about her experience with ShortEnd's first year. "I hope there is a print future for this magazine. I hope I'm there to see it and nurture it and let it expand into everything this industry needs and everything it can be."

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Editor's Note: A Year of the ShortEnd Magazine

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Written by Noralil Ryan Fores   
Thursday, 20 March 2008
ShortEnd Magazine Logo

As a year in publishing at the ShortEnd Magazine approaches, SM Editor Noralil Ryan Fores recaps the experience. "The idea to start an online film magazine first hit me on the afternoon Lily Percy and I sat in Bryant Park. She was speaking about her visit to Walden Pond, how much it meant to her to spend time there, how we should go see it together at some point. Not two months earlier, I'd met Lily in the MovieMaker Magazine offices. She was associate editing there at the time I was interning, and in large part, I lobbied for that position because an enterprise story she'd written on the Latin American film movement had caught my attention and mesmerized me with its fearless and in-depth reporting."

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Truth in Life: Making This Is a Business

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Written by Tom Stern   
Monday, 10 March 2008
This Is A Business

With the recent DVD release of This Is a Business, director Tom Stern speaks about his process and purpose in filmmaking.

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Making Forged & Notes on the Australian Film Industry

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Written by David No   
Thursday, 06 March 2008
Forged

With the release of his stunningly crafted and ambitious fantasy short Forged to IndieFlix, David No reflects on genre filmmaking, the Australian film industry and his hopes for American outlets.

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Making It Honest: Directing Against the Wind

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Written by Dan Masucci   
Wednesday, 27 February 2008
Against the Wind

Something that I tell young filmmakers that I meet is if you want your story to be successful, you have to write honestly. Whether you're writing reality-based stories, or science-fiction, you have to write from that place, or the audience will know it for a fake immediately. It won't ring true even in the most outrageous fantasy film.

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