A conversation wherein Eric & Jeffrey Leiser via e-mail speak about the art and spirituality of Imagination.

In the parting shot of Yasmin Fedda's Breadmakers, a baker dances to the rhythm of his own quirky beat, a simple joy apparent in each of his movements. As the image lingers, the day in the life documentary study lives within a gorgeous subtly, observing in a gentle manner the lives of people born with learning difficulties. "I try to bring different worlds for people to watch, explore and think about," Fedda comments about her work.

On first viewing, there's something elusive about Daniel Robin's Sundance award-winning documentary short my olympic summer; there's something romantic, there's something bitterly sad, there's something hopeful, there's something too perfect. It's easy to admire but difficult to connect to the film because the reality presented is so gorgeous and forgiving. Using a mix of home and archival footage, Robin, through the voice-over of M.R. Dhar, tells his parent's love story through a letter written but unsent and film reel shot but undeveloped by his mother. In poetic language, the letter details how the marriage was broken by neglect and then the footage explains how it was salvaged by the 1972 Israeli Olympic hostage situation.

"I'm not an elitist artist," Eddo Stern says. "I don't think people are idiots. I think people are being undersold by the mainstream."

While his Dark Game expands gaming dialogue between communities based on sensory depravation, the foundation of Stern's body of work lays in various areas of innovation from crafting gaming experiences that draw the player more physically and emotionally into the narrative worlds to integrating documentary influenced game designs that impart social awareness. Through all, his work uses big concepts and speaks big issues on an artistic and accessible level.